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In the intimate splendour of the Margravial Opera House, Bayreuth Baroque revives Cavalli’s Pompeo Magno with a riot of colors, eight masked countertenors and a Tiepolo-like air of playful chaos.

Eine ruffestigende Parnassus-Produktion, in der sich vor allem auch Lucile Richardots Erissena den Beinamen „die Große“ verdiente.