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Sir Kenneth MacMillan's Manon is an unforgettable, stunning production – a classic well worth seeing.

Annabel Lopez Ochoa's Broken Wings is a ballet you’ll want to see again and again, one that illuminates, empowers and soars.

Helgi Tomasson and Yuri Possokhov's restaging of the 1869 Petipa classic brings a sunny smile to faces in San Francisco. 

A worthwhile addition to the locker of lockdown digital dance.

Benjamin Freemantle danced the opening solo, gorgeously, in the role of the grandfather as a dreamy young Adonis. 

Unbound by restrictions, they’ve been given free rein to create, implement and demonstrate to the world what contemporary ballet looks like. Hint: it looks great.

San Francisco Ballet delivers the distinct and the relevant in a mixed-bill program of choreographic works that includes Ghosts in the Machine.

Changes in pace for a brilliantly dynamic company.

I can’t help feeling that an opportunity was missed.

Set to Frank Moon’s moody, thematic score, the curtain rises on a foggy night scene as a shiny black stretch limousine glides onstage—the real deal, dazzling to behold, like a noir film come to life.

NYC Ballet's fashion-forward program of five new works helps to keep things interesting.

San Francisco Ballet's Program 3 explores the boundaries of classicism, from both ends, with La Bayadère's 'Kingdom of the Shades' , and neoclassical works from Hans van Manen, William Forsythe and Myles Thatcher.