Live, Video: Find classical music concert, opera, ballet and dance reviews | National Youth Orchestra of Great Britain

Prieto conducted the young musicians in three compositions from the 1940s which showed the budding talent to which we have to look forward.

The National Youth Orchestra of the USA present a monumental programme of Strauss and Berlioz.

A thrilling concert by the National Youth Orchestra of Great Britain conducted by Sir Mark Elder culminated in a sinister and atmospheric performance of Duke Bluebeard's Castle.

The concluding concert in the Amsterdammers’ brief Barbican residency mixed youthful promise with a programme that seemed to sum up 2016’s angst and fears.

The space-themed Prom 29 matches old favourites with new works in joyous performances.

The National Youth Orchestra with Sir Mark Elder at the helm ruminate over nothingness in this mature and moving performance of Mahler's Ninth.

John Wilson directs the National Youth Orchestra directs the National Youth Orchestra of Great Britain in a staggering performance of unbridled enthusiasm.

Edward Gardner directs the National Youth Orchestra’s annual prom performance in an exhilarating Russian and Polish programme.

To celebrate the 200th anniversary of the Royal Philharmonic Society, and supporting their ethos of “music for all”, Prom 38 was completely free.

The National Youth Orchestra of Great Britain brought a small dose of the Southbank Centre’s year long celebration of 20th-century music, The Rest is Noise, to the North East, with a programme of bold and colourful music written by European exiles in America, music that looked to the future, and music that celebrated the best of what had been left behind.

Assembling tonight in Leeds Town Hall for a programme of English and American scores by Adams, Britten and Holst, the National Youth Orchestra of Great Britain, directed by John Wilson, presented three fiendishly difficult works.

Despite knowing what was going to happen, it was a still surprising when, amid the chatter and bustle of the audience before the concert (there was a distinct lack of communal coughing before it started), the National Youth Orchestra of Great Britain began Tuning Up.

Composers have a long tradition of incorporating folk tunes into their music, and this evening’s concert by the National Youth Orchestra, with support from members of the folk group Bellowhead, really proved the point that musical genres are not separate boxes, but just points on a continuum, with no fixed boundaries.