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A deep red hue lights the stage. It is St George’s day and King Arthur’s Britons are about to fight the invading Saxons. Centre stage, four soloists – Saxon priests – are gathered to perform sacred rites to ensure their victory. To the left of the stage a harpsichord plucks out a tune above a bass viol and theorbo, whilst to the right a spotlight falls on Merlin, who relates the story.

A career woman, a femme fatale, a shop girl, an actor, a teacher, an idler, a biker, a priest, a bank clerk and five circus acrobats. These are not the figures that come to mind when we think of Purcell’s Fairy Queen.

The Tempest dans sa version 1700: un travail de recherche scientifique et enthousiasmant servi par un ensemble instrumental et vocal tout à fait à la hauteur.