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Joyce El-Khoury saves the day in The Royal Opera’s second revival of The Sicilian Vespers in Stefan Herheim’s paint-by-numbers production. 

Scottish Opera’s stylish revival is very finely sung with Hye-Youn Lee as Violetta, Ji-Min Park as Alfredo and Philip Rhodes as Germont. 

Christof Loy's 2019 production proves even more compelling second time round, with excellent acting and a properly heroic tenor performance from Brian Jagde.

Orpha Phelan has fun staging Félicien David’s opéra comique, moving the action from Kashmir and Samarkand to Leila O’Rourke’s Tea Emporium.

Northern Opera Group brings Gustav Holst's rarely-performed Sāvitri and At the Boar's Head to vibrant life as part of its Leeds Festival of Opera.

Peter Mumford's intelligent staging concept and a knockout performance by a reduced Philharmonia Orchestra made this a night to remember.

Even in a festival like Wexford’s, you cannot resist the attraction of a beloved opera that you know by heart.

Shostakovich’s 1959 operetta Moscow, Cheryomushki (“Paradise Moscow”) is to date one of the most uncomfortable evenings I have ever spent in a theatre, though, I hasten to add, not because of the performance.