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Donizetti's frothy romantic comedy takes on fresh appeal in this faithful rendering at the State Opera.

What does opera in the 21st century look and sound like? Streets removed from anything Mozart, Verdi or Wagner would have recognised. But Salvatore Sciarrino is his own man.

A strong international cast and fine musicianship from the orchestra carries on Strauss's legacy with a smart, antic romp.

The revival of Calixto Bieito's Carmen in Oslo proves a bumpy ride, with uneven singing and orchestral playing, saved by Katarina Bradić's captivating portrayal of the title heroine.

Despite occasionally brilliant singing, the Norwegian National Opera fails to raise seasonal spirits with a dramatically inert Cavalleria rusticana and a shaky Pagliacci.

Director and choreographer Jo Strømgren's production of Gluck's Orfeo ed Euridice brings together ballet and opera, but succeeds only with limited results.