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As usual, Pinchgut lavishes musical excellence on an obscure Baroque work... but why stage an oratorio? 

A rare 17th-century English Baroque spectacular, designed to delight the Restoration crowd, is given a contemporary twist in Sydney. 

Sydney Dance Company premieres Melanie Lane’s Love Lock, alongside existing repertoire Impermanence by Rafael Bonachela. It’s a work of bold genius and a dazzling double bill that's not to be missed. 

Swedish contemporary dance company GöteborgsOperans Danskompani pushes the audience off balance with a quirky, compelling, and innovative double bill. 

Stephen Page's swansong as Bangarra's Artistic Director is an ambitious exploration of genre-transcending storytelling. 

SDC delivers this long-awaited world premiere by Rafael Bonachela, featuring a Bryce Dessner score performed to perfection by the Australian String Quartet.

A celebrity lineup of SDC alumni, experimental audience participation, and the usual virtuosic dancing make for a fun anniversary night.

The much-loved Sydney cultural institution leaps into its 50th year with this impressive, energising triple bill.

Sydney Dance Company's contrasting double bill revisits Rafael Bonachela's elegantly reflective Frame of Mind and premieres Antony Hamilton's bemusing and rave-inspired Forever & Ever.

The world premiere of Rafael Bonachela's first full-length work in six years, *ab [intra]* features astounding partnering and lives up to its claim of representing the energy of the creative dance process.

Would Britain enjoy 'The Rabbits'? For that's how the new Australian family opera allegorises the colonial Poms who came to this Terra Nullius  Downunder, denying the existence of the native Aborigines - appearing as Marsupials in this opera.