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Chopin competition winner Eric Lu impresses and thrills in Singapore recital

Singapore Symphony's President's Young Performers Concert lit up by a saxophonist, clarinettist and harpist. 

A discerning audience in Singapore witnesses absorbing playing and incisive finger-work from the Russian pianist. 

Former Cliburn winner Vadym Kholodenko returns to Singapore in mesmerising and thrilling form.

Rodolfo Barráez conducts two Mozart symphonies and Singapore Symphony principal clarinettist Ma Yue plays a rarely heard concerto by Gerald Finzi. 

Dukas, Barber, Hindemith and Shchedrin in an intriguing 20th-century programme from the Singapore Symphony. 

Singapore Symphony's first concert of 2005 distinguished by Yu-Chien Benny Tseng and Julian Kuerti.

Mario Venzago and Steven Isserlis share an unusual programme of Kabalevsky and Schubert at the Victoria Concert Hall. 

What do Tchaikovsky, de Falla and Beethoven have in common? Nothing, but Vasily Petrenko and the Singapore Symphony thrill. 

Singapore Symphony Children's and Youth Choirs are led by Stephen Layton in music by Britten, Rautavaara and Vivaldi, heralding a blessed Christmas season.

Another all-Beethoven concert? But was this the Singapore Symphony's best in our writer’s 45 years of concert-going?

Mendelssohn's A Midsummer Night's Dream and Beethoven's Third Piano Concerto make an odd couple in Singapore.

Hélène Grimaud's Singapore recital sonorously unites Hans von Bülow’s “three Bs of music” – Bach, Beethoven and Brahms. 

The Singapore Symphony's annual presidential concert is distinguished by two prodigious piano talents, Toby Tan and Adrian Tang. 

Sayaka Shoji performs Brahms' popular Violin Concerto with the Singapore Symphony and Hans Graf. 

Pavel Haas Quartet makes a triumphant Singapore debut with all-Bohemian programme of Suk, Smetana and Janáček.

Nikolaj Szeps-Znaider appears both as soloist and conductor on his first appearance with the Singapore Symphony since 1997. 

Echt-Viennese Beethoven interpreter Rudolf Buchbinder enthrals the Singapore audience.

The victor at the 2021 Chopin International Piano Competition is predictably brilliant in his Singapore Symphony Orchestra debut.

Some 37 years after his Singapore debut, the cellist revisits Saint-Saëns' First Cello Concerto with the Singapore Symphony and Han-Na Chang. 

Singapore's historic Victoria Concert Hall has become the home of convincing Mozart and Haydn symphony performances.

Short-lived early Romantics – Weber, Chopin and Schubert – are showcased in an enjoyable concert from the Singapore Symphony Orchestra.

Pierre-Laurent Aimard's debut at the Singapore International Piano Festival is built upon an intriguing programme of piano miniatures, from Beethoven to Ligeti.

Three of Franz Schubert's sonatas are delivered with unvarnished passion by the British pianist in Victoria Concert Hall. 

Singapore Symphony Artist-in-Residence Chloe Chua's Mozart delights once more in a delicious programme which includes Debussy and Bizet.

French music, Mozart and Schumann make effective bedfellows in a concert presented as part of the Voilah! France Singapore Festival.

A timely performance of Faure's Requiem in Singapore, coinciding with the funeral of HM Queen Elizabeth II.

An unusually fresh reading of the Pastoral Symphony complemented a world premiere by Singaporean composer Zechariah Go and an exuberant performance of Shostakovich's Second Violin Concerto.

Limpid Mozart and stirring Sibelius invigorate listeners in Singapore's historic Victoria Concert Hall.

The Singapore International Piano Festival returns with an impressive show of keyboard mastery by the Argentinian pianist.

Chloë Hanslip gives a searing performance of Shostakovich's Violin Sonata in orchestral garb, as if carved from blocks of solid granite.

Bach, Beethoven and a virtuoso showstopper from Bomsori Kim in recital in Singapore's Victoria Hall. 

Mozart's Symphony no. 29 and Grieg's Holberg Suite provide a panacea as Singapore's Covid circuit breaker is lifted. 

Uplifting Haydn and Tchaikovsky from the Singapore Symphony Orchestra. 

In Chan Yoong-Han and Kong Zhao Hui, the performances of Bach’s two solo violin concertos were in good and steady hands. 

The Singapore Symphony has never been a period instrument group and does not pretend to be one, but their all-Bach programme under Darrell Ang brought delight. 

A rare foray into crossover by the Singapore Symphony Orchestra into repertoire involving a traditional Chinese instrument. 

Akiko Suwanai's perfect conception of Mozart, and a smiling Brahms Second from the Singapore Symphony and Mario Venzago.

Jussen brothers thrill in Mozart, but a pastoral Enescu-Beethoven tandem proves great programming still exists.

At the heart of New Opera Singapore is a desire to demystify opera for Singapore audiences.