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The Academy of Ancient Music puts composer Dario Castello in the spotlight and in context in this live stream from the West Road Concert Hall in Cambridge.

Richard Egarr conducts a pair of Haydn's London Symphonies and turns soloist in a piano concerto by Dussek.

A mixed programme of Corelli, Handel and Pergolesi brings beauty and spiritual intensity, as well as some empowered erotic playfulness, to an evening with the Academy of Ancient Music. 

Music written by Bach for the Collegium Musicum, and also for the first Sunday after Easter, was played with skill and flourish by this exceptional orchestra;  sadly, the singing was not consistently good enough to match. 

The Academy of Ancient Music gave a finely honed account of Handel's unusual "little opera", written for the Earl of Carnavon's household musicians: a sweet pastoral offering never yet out of the repertoire. 

Clyne, Ligeti and Pärt sit down with Bach and Scarlatti for a spot of lunch!

A superbly-sung title role from Ed Ballard is the best part of this otherwise patchy, well-sung but ultimately unmoving Werther from English Touring Opera. 

A beautiful and much-put-upon princess, a pair of royal lovers who have never met, a scheming mother, and a pirate who is a prince in disguise: Ottone is a feast of ideas, beauty and fun. 

The word 'prodigy' is unavoidable when writing about Benjamin Grosvenor, or so it appears for the headline writers. Having eschewed many big concert dates and growing as an artist in smaller halls, he is clearly setting himself up for the long haul. This ambitious, sold-out Cambridge concert showed both how brilliant a pianist he already is, and hinted at how far he could go in the future.

Vor allem bei Händel hatten sich neue und alte Partner und Freunde gefunden, die in ihren Tanzschritten die momentane Schwere vergessen machten.