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The program was annotated by the actor Sagine Valla, delivering lines from the composer's published letters, diaries and other texts. It grew intrusive at times, but when given a chance, the ensemble played beautifully.

Rather than addressing indigenous genocide, Stockhausen's Am Himmel wandre ich and Chacon's Asdzaa Nádleehé and Yoolgai Asdzaa took native American poetry and myth as setting for an evening of unusual song. 

The underground crypt came alive with hymns and avowals for piano and cello in a program entitled “The Instant and the Eternal”.