The Bridge Project 2014 presents four generations of postmodern dance pioneers in one historic evening at the Joe Goode Annex in San Francisco: Anna Halprin, Simone Forti, Lucinda Childs, and Hope Mohr.
2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2014-09-29UTC20:31:57+00:002014-09-29The Bridge Project 2014 presents four generations of postmodern dance pioneers in one historic evening at the Joe Goode Annex in San Francisco: Anna Halprin, Simone Forti, Lucinda Childs, and Hope Mohr.Have We Come A Long Way, Baby? asks Hope Mohren_GBtruehttps://bachtrack.com/review-bridge-project-september-2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngCarla Escodahttps://bachtrack.com/22/270/list-published/11258https://bachtrack.com/22/270/list-published/11258https://bachtrack.com/files/68672-carla-escoda.jpgCarla writes about the arts for various publications including Bachtrack, KQED Arts (the northern California public media broadcaster) and ballettothepeople. In previous lives, Carla worked in scientific research, in project finance in Asia, and taught ballet in San Francisco. Prior to that, she trained as a ballet and modern dancer, and performed with the Yaledancers while getting her undergraduate degrees in Engineering and Applied Science and French Literature, and her graduate degree in Engineering.https://bachtrack.com/files/6744-peiling_kao_3__photo_by_margo_moritz.jpg510319Peiling Kao performing in Have we come a long way, babyMargo Moritz2014-Sep-27, Joe Goode Annex: Have We Come A Long Way, Baby? curating is always in conversation with history https://bachtrack.com/dance-listing/joe-goode-annex/have-we-come-a-long-way-baby-curating-is-always-in-conversation-with-history/27-september-2014/20-002014-09-272014-09-27Joe Goode AnnexSan FranciscoCaliforniaUnited StatesCA 94110401 Alabama St37.764189-122.41229645
In Give a Woman a Lift, the six admirable female dancers of Jo Kreiter’s Flyaway Productions give each other an occasional lift, but for most of this 50-minute piece they’re each going it alone, negotiating personal obstacle courses.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-30UTC11:32:07+00:002013-11-18Carla Escoda reviews Jo Kreiter's Give a Woman a Lift at the Joe Goode Annex in San FranciscoGive a Woman a Lift: Jo Kreiter's airborne paean to womenen_GBtruehttps://bachtrack.com/review-nov-2013-give-a-woman-a-lift-san-franciscoBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngCarla Escodahttps://bachtrack.com/22/270/list-published/11258https://bachtrack.com/22/270/list-published/11258https://bachtrack.com/files/68672-carla-escoda.jpgCarla writes about the arts for various publications including Bachtrack, KQED Arts (the northern California public media broadcaster) and ballettothepeople. In previous lives, Carla worked in scientific research, in project finance in Asia, and taught ballet in San Francisco. Prior to that, she trained as a ballet and modern dancer, and performed with the Yaledancers while getting her undergraduate degrees in Engineering and Applied Science and French Literature, and her graduate degree in Engineering.https://bachtrack.com/files/3743-give_a_woman_a_lift_marystarr_hope_and_lisa_fagan_kegan_marling.jpg400400Give A Woman A Lift (Dancers: MaryStarr Hope and Lisa Fagan) Kegan Marling2013-Nov-13, Joe Goode Annex: Give a Woman a Lifthttps://bachtrack.com/listing-nov-2013-give-a-woman-a-lift-san-francisco2013-11-132013-11-13Joe Goode AnnexSan FranciscoCaliforniaUnited StatesCA 94110401 Alabama St37.764189-122.41229644
