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Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.

Thirty years after its original production, Matthew Bourne’s Swan Lake makes its return to the stage championed by an impressive ensemble of dance artists from Bourne’s own company New Adventures.

This is not Carmen, but then Wu Tsang's bizarre meta-work, originally commissioned by Schauspielhaus Zürich, is all about breaking ties with convention. 

Dimitris Papaioannou schafft mit seiner neuen Kreation eine glanzvolle Bilderflut, die die Sinnhaftigkeit des Ernsts des Berufslebens hinterfragt.

Mit einer ungewöhnlichen Publikumsbefragung zu Beginn, beschreitet Opera2Day neue Wege der Kunstform.