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National Ballet of China’s The Chinese New Year, a Chinese adaptation of the Christmas classic The Nutcracker is without a doubt the most extravagant celebration of the national holiday that any resident of China could hope for.

Unlike some contemporary Giselle being performed in the West, National Ballet of China’s version harks back to the delicacy and romance of the 1841 original. The choreography performed at Beijing’s NCPA last Friday was strikingly beautiful, wonderfully capturing the profound emotion of the piece. 

San Francisco Ballet's Giselle brought enthusiastic Beijingers out in hordes to see Yuan Yuan Tan in the title role at the National Center for the Performing Arts on Friday night. 

On the second night of San Francisco Ballet’s second visit to Beijing, the company treated their Chinese audience to a varied programme: Tomasson’s Caprice, Wheeldon’s Rush, van Manen’s Variations for Two Couples, and Balanchine’s Theme and Variations.

Explosive and animated, Sylvie Guillem moves with an inimitable combination of energy, joie de vivre and delicacy throughout her final show, Life in Progress, at Beijing’s National Center for Performing Arts.

NoGravity Dance present their playful, intriguing and physically astounding Divine Comedy Trilogy at Beijing's National Centre for Performing Arts.