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The sharp linguistic and enunciative abilities of Romanian mezzo Adriana Festeu are as impressive as her singing. Accompanied by Nico de Villiers, she launched “Leeds Lieder+ From Europe to America – A Day of Song” in the morning at Leeds University’s Clothworkers Hall with “Songs My Mother Taught Me”. She dealt very convincingly with Dvořák’s Gypsy Songs in Czech, followed by 5 Lieder, Op.

The first piece at this afternoon concert, in the beautifully restored Clothworkers Centenary Concert Hall in the School of Music at Leeds University, dated from 2004: the song-cycle In Praise of Dreams, four poems by the Nobel prize-winning Wisława Szymborska translated from the Polish by Stanislaw Baranczak and Clare Cavanagh, composed by Birmingham-based Joe Cutler.

On Sunday afternoon the most recent recipient of the prestigious Kathleen Ferrier Award, Kitty Whately, was welcomed to the Clothworkers’ Hall by Leeds Lieder, an organisation founded in the hope of introducing art song to a new audience.

A cold and rainy Wednesday evening in Leeds is not usually the setting for lust, betrayal, and murder. I found myself at the Clothworkers Centenary Concert Hall at the University of Leeds ready to experience the UK premiere of Act I of Sergey Taneyev’s masterpiece Oresteia, first performed at the Mariinsky Theatre in 1895.