Had the piece been much longer, pianist, instrument, audience and hall would surely have been consumed by some Pentecostal fire. Which is more or less what the composer had in mind.
Garrick Ohlsson’s ‘Skryabin Focus’ at Wigmore Hall opened with a concert on the composer's birthday which revealed the complex and myriad aspects of Scriabin's creative impulse and his deep affinity for the piano
