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Lars Vogt’s unorthodox pianism knocks at Glenn Gould’s door without ever daring to fully enter his outlandish realm, and since there can only be one Glenn Gould that is perhaps just as well. In addition to the counterintuitive articulation and other Gouldian stylings his performances offer masterful soft playing and, when convincingly maintained, a taut sense of drama.

German-born pianist Lars Vogt has an established reputation as a concerto soloist, a recitalist, and a committed chamber musician, enjoying partnerships with esteemed musicians such as Christian Tetzlaff and Thomas Quasthoff. He is involved in many festivals, including one in a power station (with the power turned off) in the German town of Heimbach.