This Winchester Chamber Music Festival programme made a stab at being eclectic, with two sets of early 20th century Webern miniatures to start. Yet the meat was in two substantial Romantic works by Schumann and Brahms.
The works of Anton Webern – famously described by Stravinksy as “dazzling diamonds” – have been “unwrapped” as part of The Rest is Noise festival this month. This was a timely project, as the output of this Second Viennese School composer has often been misrepresented due to its considerable (and problematic) impact on 20th- and 21st-century music.
