On the eve of the Musikfest Berlin, Isabelle Faust’s performance of Luigi Nono’s La lontananza nostalgica utopica futura was an extraordinary time capsule back to the work’s premiere in 1988.
Aisha Orazbayeva rests her violin under her chin as the welcoming applause subsides. She raises her bow and nonchalantly touches the screw at its tip against one of the strings, making an extremely quiet 'ting'. I, probably along with a good percentage of the Kings Place audience, am unsure as to whether or not the concert has started.It has done.
