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An enchanting programme of music, film and dance in material moved by the spirit of a great performer.

A random assortment of disassociated ballets performed with variable success - from the sublime to the nondescript. 

This Ashton programme at the Royal Ballet displays all the hallmarks of the Ashton style; lightness, musicality and a beautiful quality of stillness.

Alexei Ratmanksy's Concerto DSCH is the highlight of a meaty programme, also featuring Fokine's 1910 Firebird and Ashton's Marguerite and Armand

Be warned – after an evening of concentrated Frederick Ashton, you may well find yourself exhibiting the physical symptoms of ballet ecstasy.

There are triple bills ---and there are triple bills. And this one –the first of The Royal Ballet’s 2011/12 season -- is certainly a top rate one.The programme, put together by Artistic director Monica Mason in her final year at the helm, gives an historical glimpse into the foundations and creative growth of The Royal Ballet over the years.