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It could be argued that the success of contemporary music at the Presteigne Festival is due to its promotion of composers who draw on traditional forms and tonal harmony. Perhaps, but the world of contemporary music has moved on from what some nostalgically describe as the heroic avant-garde of the 1960s and 70s.

Endeavouring to travel lightly through the world, I tend not to collect programme notes. However, such was the quality of Jo Kirkbride’s notes for this SCO Britten centenary celebration that scanning them for e-posterity is tempting. They prompted a consideration of the whole idea of programming.

The Sixteen’s three appearances in the line-up for this year’s Spitalfields Music Festival showcase the breadth of their repertoire. On June 15 and 16, they will premiere Alan Roth’s new musical setting of Beckett monologues, Old Earth. First, on June 9, was something altogether more familiar.