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ParisFestival de Jérusalem / Elena Bashkirova, Michael Barenboim
Mendelssohn, Reimann
Elena Bashkirova; Michael Barenboim; Mohamed Hiber; Adrien La Marca
Munich5. Kammerkonzert: Der Münchner Klarinettenolymp
Meyerbeer, Baermann, Mendelssohn, Weber
Andreas Schablas; Martina Beck-Stegemann; Praetorius-Quartett; David Schultheiß
LilleEnfance, nature et magie
Crumb, Stockhausen
Solistes du Balcon; Elise Chauvin; Iris Zerdoud; Claire Luquiens
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Sex, war and ice-cream: Freitag aus Licht at the Opéra de Lille
Four down, three to go: Le Balcon’s accomplished staging of Stockhausen's Licht cycle reaches its most problematic instalment.
Hypnotic, diabolical and magical:
The second day of aus LICHT is one mesmerising highlight after another, including the Netherlands Youth and Children’s Choirs in one magical and one sinister procession.
aus LICHT Part 1: Michael only takes flight in the second half
The performers in Part 1 of aus LICHT at the Holland Festival are amazing, but the production doesn’t rev up until the Archangel Michael goes on his dizzying world tour.
Stockhausen rediscovered: Donnerstag aus Licht shines brightly
The evening left you in no doubt that in Donnerstag aus Licht is more approachable than many would imagine, as well as being a major creative achievement that is crying out to be explored by opera houses.
A piece of infinity with Michaels Reise um die Erde at Lincoln Center Festival
My preparations for a Thursday evening trip to Lincoln Center: studying the super-formula of Stockhausen’s 29-hour opera project, entitled Licht; choosing an outfit in the perfect shade of cerulean; girding myself for a panic attack similar to the one I experienced the last time I witnessed a section from Licht (Oktophonie).
Mozart himself ouvre la saison 4 du Centre de musique de chambre
L'ouverture de saison au Centre de musique de chambre de Paris propose un nouveau concert-spectacle : « Mozart vs Stadler : la grande partie ». Retour sur une soirée festive à la salle Cortot.
Schweizer Erstaufführung: Donnerstag aus Licht
Im Nachhinein dominieren in diesem Baseler Stockhausen-Revival die Impressionen des dritten Aktes und damit die Erinnerung an eine reichhaltige Komposition, ausgezeichnete Sänger und ebensolche Instrumentalisten.