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Instrument: Electric bass

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LondonHistoires d'amour, Clara Rodriguez, piano recital

Debussy, Ravel, Hahn, Piazzolla, Eleta Almarán
Clara Rodriguez; Freya Goldmark; Corentin Chassard; Unknown
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Ensemble Musikfabrik in Berlin

© Kai Bienert
An evening of frivolousness and solemnity.
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Mixed minimalism with the Labèques

Katia and Marielle Labèque,  ©  Umberto Nicoletti

Minimalism is, according to some, ‘The most influential musical movement of the 20th century’. Whether or not this is a little hyperbolical, minimalism does certainly deserve real recognition and exploration, and Kings Place hence merits a great deal of praise for putting on the three-day ‘50 Years of Minimalism’ festival, curated by Igor Toronyi-Lalic and led on the stage by pianists Katia and Marielle Labèque. Friday’s middle concert, ‘Europeans & Experimentalists’, presented an intriguing, diverse range of minimalist, quasi-minimalist or sort-of-minimal music which certainly succeeded in showing the breadth of minimalism’s scope in recent decades.

50 Years of Minimalism at King's Place: Dawn

Katia and Marielle Labèque,  ©  Umberto Nicoletti
Sometimes it seemed as though the sun would never set on Dawn. At nearly three hours long, it made for a blockbuster opening to the '50 Years of Minimalism' festival. Thankfully, the Labèque sisters, a rock ensemble, electronic keyboard and the obligatory tape machine on stage were brilliant company for the whole, overlong affair.
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Auf den Schwingen des Glücksdrachen

Klaus Doldiner, Doldinger's Passport und die Nordwestdeutsche Philharmonie © NWD
Klaus Doldingers Passport und die Nordwestdeutsche Philharmonie jazzen zwischen Tatort und Elfenbeinturm.
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