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ReykjavíkPortrait of Magnús Jóhann
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Ragnarsson
Iceland Symphony Orchestra; Ross Jamie Collins; Magnús Jóhann Ragnarsson
KuhmoConsumer spree
Damström, Brahms, Lei, Vivaldi, Merikanto
Niko Kumpuvaara; Helena Juntunen; Anna Laakso; Mi-kyung Lee
KuhmoRituals I
Adams, Stravinsky, Crumb
Musicus Soloists Hong Kong; David Cohen; Tuija Hakkila; Anna Laakso; Modulor Quartet
KuhmoGraduation ceremony
Elgar, Beethoven, Schumann, Vivaldi
Susanne Kujala; Minna Pensola; Antti Tikkanen; Sergey Malov
KuhmoRituals II
Milhaud, Ibert, Matteis, Anderson, D'Rivera, Aaltoila, Dvořák, Messiaen, Liszt, Haydn
Heini Kärkkäinen; Kasmir Uusitupa; Johannes Meissl; Jason Fisher
KuhmoChristmas
Scarlatti, Tchaikovsky, Kaipainen, Corelli, Sibelius
Helena Juntunen; Antti Tikkanen; Daniel Rowland; Andres Kaljuste
KuhmoWild City - Oulu2026
Ravel, Gershwin, Damström, Françaix
Berit Cardas; Bjørg Lewis; Mackenzie Melemed; Anna Laakso
Latest reviewsSee more...
Conrad Tao’s glorious exercises in parody, persistence and technology
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Conrad Tao bookends his Zankel Hall recital, performed on a concert grand and a large electronic keyboard, with Debussy’s 12 Études.
Experiments in Opera returns with a strange story of resurrection
Soprano Gelsey Bell instilled a very human spirit into the role of the troubled widow. The decidedly formal Jeffrey Gavett was well cast as the dead man. Their duets rang with perfection.
Tognetti releases the inner impulses of Bach
Richard Tognetti’s absorbing programme mixed Bach’s Goldberg Variations with Stravinsky and Adès, played impressively and with characteristic exuberance and finesse by the Australian Chamber Orchestra.
The pleasures and perils of electronic music
NYVOS Next offers works by Alvin Lucier, Kaija Saariaho and evening curator Kate Soper in a program demonstrating both the breadth of and inherent risks in live performance with electronics.
The Source belongs here and now
It's not really an opera (or even an oratorio), but Ted Hearne's The Source is important and engaging.
Scenic collage about fear
During Salzburg's Easter Festival, Isabel Karajan presented her look into Shostakovich and russisch authors who suffered under the Stalin Regime. The result is a fascinating collage about fear.