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Instrument: Keyboard

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HalleBridges to Classics

Staatskapelle Halle; Bernd Ruf; Anke Sieloff; Benjamin Köthe; GermanPops Band and Singers

AmsterdamNiklas Paschburg, presented by ADE

Niklas Paschburg, Keyboard

AmsterdamMasterpieces by Bach, Beethoven and Schumann

Schumann, Beethoven, Bach
Tim Posner; Hilda Huang; Mana Oguchi

BarcelonaMax Richter: piano, keyboard and electronics

© Rhys Frampton
Max Richter

BarcelonaFrom the Notebook for Anna Magdalena Bach

© Marco Borggreve
Bach: Notenbüchlein für Anna Magdalena Bach (Notebook for Anna Magdalena Bach): extracts
Carolyn Sampson; Juan de la Rubia

EssenA Midsummer Night's Dream

Essen Philharmonic Orchestra; Jens Bingert; Deirdre Angenent; Frank Dupree; Kammerchor Consono; Landesjugendchor NRW

VailRevolution: Music of the Beatles

The Beatles: The Music of The Beatles
Dallas Symphony Orchestra; Jeff Tyzik; Unknown
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Tognetti releases the inner impulses of Bach

Richard Tognetti and the Australian Chamber Orchestra © Mark Allan | Barbican
Richard Tognetti’s absorbing programme mixed Bach’s Goldberg Variations with Stravinsky and Adès, played impressively and with characteristic exuberance and finesse by the Australian Chamber Orchestra.
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The pleasures and perils of electronic music

Charlotte Mundy © Cherylynn Tsushima
NYVOS Next offers works by Alvin Lucier, Kaija Saariaho and evening curator Kate Soper in a program demonstrating both the breadth of and inherent risks in live performance with electronics.
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The Source belongs here and now

The Source © Stefan Cohen
It's not really an opera (or even an oratorio), but Ted Hearne's The Source is important and engaging.
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Ensemble Musikfabrik in Berlin

© Kai Bienert
An evening of frivolousness and solemnity.
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Scenic collage about fear

During Salzburg's Easter Festival, Isabel Karajan presented her look into Shostakovich and russisch authors who suffered under the Stalin Regime. The result is a fascinating collage about fear.
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Rare, extraordinary: Philip Glass Ensemble at The Rest is Noise

Introduced by Southbank Centre’s artistic director, Jude Kelly, this latest instalment of The Rest is Noise festival felt like one of those events that rarely finds its way into the concert diary. A packed hall witnessed one of those feats of sheer physical, intellectual and emotional energy that you are unlikely to forget.
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The Minimalist Dream House Project at Toronto Summer Music with the Labèque sisters

As I sat in the intriguing darkness of Koerner Hall, Marielle Labèque carefully placed the opening notes of Le fils des étoiles by Erik Satie. They hung in the air like little crystals. This was a simple beginning, yet deceptively so, that would build towards something larger. In turn, these notes would unfold in a continuous stream of build-ups and decays.
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