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Instrument: Percussion ensemble

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LondonMemory Unwrapped: Colin Currie Quartet - This Place, These People

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Akiho, Duddell, Volans, Reich
Colin Currie Quartet

New York CityJessie Montgomery, violin; Jlin, electronics; Third Coast Percussion

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Patton, Montgomery, Hamasyan, Harrison
Jessie Montgomery; Unknown; Third Coast Percussion

AndermattThunderclap and whirlwind

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Swiss Orchestra; Lena-Lisa Wüstendörfer; Unknown

GatesheadSteve Reich at 90: Drumming Part 1

The Glasshouse International Centre for Music
Reich, Wolfe
Colin Currie Quartet

GatesheadSteve Reich at 90: Mallet Quartet

The Glasshouse International Centre for Music
Reich, Sweeney
Colin Currie Quartet

BerlinClick`n Drums

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Quatuor Beat

MadridSatélite 20 - Música, cuerpo y espacio

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Berio, Arditto
Neopercusión; Marta de Andrés; Alicia Salas; Coline-Marie Orliac
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From Bali to New York City with the marimbas of Sixtrum Percussion

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Sixtrum’s program – framed by two very different composers but just as much by the big wooden instruments that filled the staging ground – is pristine both In sight and sound.

****1
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Dudamel leads LA Phil in exuberant celebration of Día de los Muertos

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Gustavo Dudamel selects a trio of works by Latin American composers for a colorful and extravagant evening at the LA Phil.
****1
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A Dark Ride in a Floppy Machine: Colin Currie Quartet at Kings Place

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Steve Reich and Julia Wolfe feature in Colin Currie Quartet's Full Dark Ride at London's Kings Place, to launch the “Sound Unwrapped” extravaganza. 
***11
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A sandbox on pillars at the Baryshnikov Arts Center

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Andy Akiho’s Seven Pilllars is a decidedly complex composition, a long palindrome that, as placed by Sandbox Percussion, finds beauty almost in spite of itself.

****1
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Trio Xenakis and friends at the Festival Singer-Polignac

With works by Carter, Reich, Taira and Bartók, the young percussion trio gives us a fine survey of the past century’s musical variety.
****1
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Dudamel unveils new percussion concerto in LA

His fans presented him with not one but two impromptu birthday serenades before and after the Brahms. "I'm getting old," Gustavo admitted ruefully to his public. He's only 36. 
****1
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Bartók meets Hitchcock: the music of horror and the night

It takes artistic courage to devote almost a whole concert to music associated with cinema, but then Richard Tognetti, the artistic director and concert master of the Australian Chamber Orchestra, never lacked creative thinking or musical audacity. 
****1
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