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Instrument: Sound

Find classical music concert, opera, ballet and dance listings
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ParisDusapin: PenthesileaConcert performance

Dusapin: Penthesilea
Ariane Matiakh; Orchestre de Paris; accentus; Georg Nigl; Christel Loetzsch

ParisEnsemble intercontemporain plays Boulez

Ensemble intercontemporain; Matthias Pintscher; Odile Auboin; Samuel Favre; Gilles Durot; Françoise Rivalland

ParisGrand soir prométhée

Czernowin, Andre, Gander, Mozart, Cattaneo
Ensemble intercontemporain; Matthias Pintscher; Valeria Kafelnikov; Alain Billard; Eric-Maria Couturier; Nicolas Crosse
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Mind-blowing Stockhausen stuns at the Barbican

Cosmic Pulses © Mark Allan
All credit to the Barbican for showcasing Stimmung and Cosmic Pulses.
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Jacob Jonas The Company

Jacob Jonas The Company © Timothy Norris, courtesy of the Ford Theatres
Jacob Jonas has taken the raw intensity of his dancers' best gifts and molded them into a figurative narrative. Ironically, the powerful qualities that Tim Hecker brought to On Me were not evident in his own performance.
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Sharing a Stockhausen Momente at the Cité de la Musique

Péter Eötvös conducts the WDR choir and the Ensemble Intercontemporain in Stockhausen at the Cité de la Musique.
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Boulez and Stockhausen at The Rest is Noise

After the epic grandeur, sweep and immersive quality of Gesang der Jünglinge at this summer’s Proms, this performance as part of Southbank Centre’s The Rest is Noise festival had a lot to live up to. In many ways, however, this far less ostentatious outing overseen by Sound Intermedia got even closer to the work’s disturbing essence.
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Prom 11: Stockhausen's Welt-Parlament makes its London debut

Tonight’s Stockhausen Prom was in equal parts sonic experience and performance.In an introduction to a performance of Gesang der Jünglinge in 2001, Stockhausen proposed that “if you close your eyes every now and then, you might even see these angels”. In a concert performance this isn’t an empty suggestion; Gesang der Jünglinge is a truly acoustic experience.
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Nick Didkovsky and PRISM bring Ice Cream Time to Roulette

It’s a rainy night and a little girl’s recorded voice sings out “it’s ice cream time”, triggering an outburst from sax quartet and electric guitar, a sort of warped chorale loosely based on her melody.Thus began sax quartet PRISM’s Roulette debut, and the New York première of Nick Didkovsky’s Ice Cream Time on Sunday night.
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Licht und Schatten, Zeit und Endlichkeit bei der Ruhrtriennale

Sylvain Cambreling © Ursula Kaufmann | Ruhrtriennale 2019
Sylvain Cambreling und das Klangforum Wien erzeugen mit Musik von Haas und Xenakis fantasievolle Bilder.
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