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Instrument: Sound Design

Find classical music concert, opera, ballet and dance listings
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AntwerpWim Henderickx: Revelations

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Henderickx: Revelations
Hermes Ensemble; Diederik Glorieux; Bart Celis; Kurt D'Haeseleer; Lore Binon; Muziektheater Transparant

AntwerpWim Henderickx: Revelations

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Henderickx: Revelations
Hermes Ensemble; Diederik Glorieux; Bart Celis; Kurt D'Haeseleer; Lore Binon; Muziektheater Transparant

StockholmTimulak / Portner

Royal Swedish Opera and Ballet
Bertelmann AKA Hauschka, Richter
Lukáš Timulak; Emma Portner; Royal Swedish Ballet; Peter Biľak; Annemarije van Harten; Tom Visser

SevilleLa bella SusonaWorld premiere

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Carretero: La bella Susona
Nacho de Paz; Carlos Wagner; Teatro de la Maestranza; Alejandro Andújar; Albert Faura; Real Orquesta Sinfónica de Sevilla; Coro Teatro de la Maestranza

StockholmMidsummer Night’s Dream

Royal Swedish Opera and Ballet
Karlsson: Midsummer Night’s Dream
Alexander Ekman; Royal Swedish Ballet; Bregje van Balen; Linus Fellbom; Mikael Karlsson

MelbourneTosca

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Puccini: Tosca
Garry Walker; Edward Dick; Opera Australia; Tom Scutt; Fotini Dimou; Lee Curran; Orchestra Victoria

SydneyWatershed: The Death of Dr Duncan

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Twist: Watershed: The Death of Dr Duncan
Brett Weymark; Neil Armfield; Opera Australia; Ailsa Paterson; Nigel Levings; Opera Australia Orchestra
Latest reviewsSee more...

Maud Le Pladec's Twenty-Seven Perspectives lacks cohesion

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A disappointing exercise in deconstruction. 
**111
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Opera Ballet Vlaanderen: a double bill that challenges the senses

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This is a contrasting double bill – but don’t go expecting to leave the theatre humming the tunes.
***11
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Kaufmann and Deutsch shine in Claus Guth's dramatized Schwanengesang

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In New York's Park Avenue Armory, Claus Guth imagines Schubert's final song collection set in a military hospital, Jonas Kaufmann as one of its soldiers with a story to tell. 
****1
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Opera Philadelphia's Unholy Wars creates a dialogue with Monteverdi

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Arab-American tenor Karim Sulayman devises a thoughtful pastiche that centers the perspective omitted from Early Modern depictions of the Middle East in music.
****1
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Phaedra/Minotaur: the EIF’s most upmarket song and dance event

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Incest, family secrets, murder… this is a fiercely compelling evening of dance, drama and song.
*****
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Kosky’s bold Threepenny Opera delights Edinburgh

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Adam Benzwi conducts a punchy band and a strong theatre cast in the Berliner Ensemble's bold fresh, enjoyable version of Weill and Brecht's classic. 
****1
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Akram Khan's Creature: profoundly affecting, but a punishing watch

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Creature is not an easy watch, but English National Ballet give memorable and compelling performances throughout.
****1
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