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BrusselsSupra Natural
Mâche, Castello, Dougherty
Brussels Philharmonic; Ilan Volkov; Alex Fostier; Angélica Castelló
GhentSupra Natural
Mâche, Castello, Dougherty
Brussels Philharmonic; Ilan Volkov; Alex Fostier; Angélica Castelló
TokyoRobot, l'amour éternel
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Cambon: Robot, l'amour éternel
Kaori Ito; National Ballet of Japan; Arno Veyrat; Adrien Maury
TartuDecember Rain
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Chopin: December Rain
Kristina Paulin; Vanemuine Ballet; Stephanie Bäuerle; Imbi Mälk
GenevaAn American in Paris
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Gershwin: An American in Paris
Wayne Marshall; Christopher Wheeldon; Grand Théâtre de Genève; Bob Crowley; Natasha Katz; Orchestre de la Suisse Romande
BrusselsJakob Bro with Midori Takada and Ambrose Akinmusire
Brussels Philharmonic; Edwin Outwater; Unknown; Flemish Radio Choir
Latest reviewsSee more...
ENB: R:Evolution showcases tenacity, legacy and talent
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English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.
John Adams’ Antony and Cleopatra arrives at the Met
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John Adams’ Antony and Cleopatra puts the composer's propulsive music at the service of both moments of riveting human drama and less effective scenes of battle and politics.
Lorca retold in Met's remarkable restaging of Golijov’s Ainadamar
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Deborah Colker directs an ambitious show, which works incredibly well with storytelling as emotive as it is narrative, confronting death and loss in sharp, weary pains.
African American spirituals ring out in world premiere of Jubilee
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A world premiere opera about the Fisk Jubilee Singers, the intrepid troupe of African American singers who changed music history.
A brief journey into the timeless world of Meredith Monk
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The North American premiere of Indra's Net finds Meredith Monk back in her familiar, inexplicable realm.
ENB in Akram Khan’s Giselle: compelling, astonishing, unmissable
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Akram Khan's Giselle becomes ever more watchable with every viewing. A rollercoaster version of the traditional classic.
Cystal Pite and Jonathon Young's Assembly Hall: enjoyable madness!
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Spot-on dance-theatre not taking itself too seriously, daring to be genuinely funny.