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AmsterdamMaxim Emelyanychev & Solisti il Pomo d’Oro: Bach, Telemann, Vivaldi and more
Maxim Emelyanychev; Ivan Podyomov
LyonNeapolitan Christmas
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Scarlatti, Caresana
Franck-Emmanuel Comte; Le Concert de l'Hostel Dieu; Heather Newhouse; Unknown
New York CityTenet Vocal Artists: Litanies
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Charpentier, de Brossard, Campra
Tenet Vocal Artists; Jolle Greenleaf; Elisa Sutherland; Paul Max Tipton
LondonNardus Williams / Elizabeth Kenny / Mary Beard
Strozzi, Caccini, Sessa, Wallen
Nardus Williams; Elizabeth Kenny; Dame Mary Beard
New York CityTenet Vocal Artists: Lessons
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de Lalande, Charpentier, du Mont, Marais
Tenet Vocal Artists; Jolle Greenleaf; Paulina Francisco; Elisa Sutherland
OsloFrom Iran to France – historical and mythical female figures
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von Bingen, Strozzi
Camille Bordet; Mostafa Taleb; Yunah Proost; Albane Imbs
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A French Baroque Rendez-Vous in Perth
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Perth's HIP Company join forces with Sydney's The Marais Project for a charming evening of French Baroque music.
A spectacular swansong for the Rosendal Chamber Music Festival
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A fitting farewell for Leif Ove Andsnes' Rosendal Chamber Music Festival: imaginative programming and excellent performances in an inspiring setting.
Compelling new opera explores a 300-year-old feminist dream
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At the center of this production is the centuries-old verse of Sor Juana Inés de la Cruz, the wondrous voice of Magos Herrera and a richly realized telling of the quest for knowledge.
Savall and Hespèrion XXI celebrate 50 years with effortless style
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Rich sounding viols, lively percussion and spicy theorbo and guitar in eclectic consort music from Jordi Savall and Hesperian XXI in their 50th year.
25 years on, Jaroussky and L'Arpeggiata entrance Ambronay
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The superstar countertenor revisit the site of one of their early successes, with hits from Monteverdi and the court of Louis XIII. It makes for an extraordinary evening.
L’Arpeggiata brings the spirit of Italian Baroque to Enescu Festival
A radiant chemistry between Céline Scheen and Philippe Jaroussky is evident in an evening of Caldara and Pergolesi in Bucharest.
La Fenice reopens its doors with Vivaldi's first opera
The lack of a curtain has forced the director to employ a new inventiveness, if only with partially success.