Founder of celebrated young vocal ensemble Cantoría talks about being a musical organiser, singing musical ensaladas, and how Barcelona might be the capital of Early music on the Iberian peninsula.
Five years ago, the Japanese violinist made the spontaneous decision to enter the prestigious Henryk Wieniawski Violin Competition. She talks about how her win in 2022 was a musically life-changing experience.
Ahead of an appearance at London’s Cadogan Hall, the Swedish mezzo-soprano talks about her love for French and German song, and combining intimate performances with opera singing on a much larger scale.
The Spanish violinist makes her Sinagpore debut in May performing Szymanowski. She talks about taking repertoire to new places, and being an advocate for unusual Spanish music.
The Austrian conductor reflects on his seven year tenure with the Singapore Symphony Orchestra, work and life, returning to old scores, and why a musical ensemble is like a giant human body.
The Hong Kong-born conductor talks about her entry into music, her love of big Russian repertoire, her “Cinderella moment” winning the Donatella Flick Conducting Competition and her ambition to “go against the grind”.
Professeur de formation musicale et de violon à l'Académie Inter-Musicale de Paris, Julius Lay est un musicien éclectique. Etudiant au conservatoire de Marseille, il y obtint son DEM de formation musicale ainsi que son baccalauréat technologique musical (TMD). Il eut son DEM de violon et de musique de chambre -notamment contemporaine- au conservatoire d'Aix-en-Provence. Il est actuellement en classe de composition électroacoustique au CRR de Paris chez Denis Dufour.
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