La promesse des doubles barres : entretien avec Camille Pépin

Camille Pépin

By Nicolas Mathieu, 13 November 2020

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“une fois que l'œuvre est terminée, le compositeur est en dépression pendant trois semaines !”

Eleanor Knight, 24th April

Founder of celebrated young vocal ensemble Cantoría talks about being a musical organiser, singing musical ensaladas, and how Barcelona might be the capital of Early music on the Iberian peninsula.

On a whim: Hina Maeda on the Wieniawski Competition

Nahoko Gotoh, 23rd April

Five years ago, the Japanese violinist made the spontaneous decision to enter the prestigious Henryk Wieniawski Violin Competition. She talks about how her win in 2022 was a musically life-changing experience.

From Paris to Weimar with Anne Sofie von Otter

Kevin W Ng, 17th April

Ahead of an appearance at London’s Cadogan Hall, the Swedish mezzo-soprano talks about her love for French and German song, and combining intimate performances with opera singing on a much larger scale.

Cultural activism: Leticia Moreno in Singapore

Frank Kuznik, 14th April

The Spanish violinist makes her Sinagpore debut in May performing Szymanowski. She talks about taking repertoire to new places, and being an advocate for unusual Spanish music.

From Salzburg, with love: Hans Graf bids farewell to Singapore

Peter Quantrill, 7th April

The Austrian conductor reflects on his seven year tenure with the Singapore Symphony Orchestra, work and life, returning to old scores, and why a musical ensemble is like a giant human body.

Elim Chan: from Sorcerer’s Apprentice to Proms Queen

Mark Pullinger, 7th April

The Hong Kong-born conductor talks about her entry into music, her love of big Russian repertoire, her “Cinderella moment” winning the Donatella Flick Conducting Competition and her ambition to “go against the grind”.

Nicolas Mathieu

Après des études de philosophie à l’ENS de Lyon et de politiques culturelles à l’Université de Paris, Nicolas se tourne vers la gestion culturelle à HEC Paris. Formé aux conservatoires de Lille et de Lyon en piano et en écriture, il consacre ses projets personnels au dialogue entre la musique et les autres arts comme organisateur de ciné-concerts (S’émanciné), de lectures performées (CIE 44) et autres formats pluridisciplinaires.