Used to make string instrument bows for more than 200 years, Brazilian authorities wish to tighten trade on the critically endangered brazilwood tree, due to repeated illegal exploitation.
The Hull-born choreographer speaks about his passion and commitment to creativity and collaboration, as well as his determination to keep classical ballet innovative.
The Toronto-born composer talks about new work Romanza for piano and orchestra, theatricality in music, taking influences from psychology, and the effect on his music of working for the United Nations.
Birmingham Royal Ballet’s Jonathan Payn talks about The Green Table by Kurt Jooss, first performed in Paris in 1932 – and how choreography can respond to political collapse and the threat of war.
A group of younger Croatian musicians, including new ensemble Gli Schiavoni, are determined to recover the historical music of Croatia, despite a devastating series of earthquakes and armed conflicts.
Brett Dean, Heather Betts and Lotte Betts-Dean sit down to discuss their work on Of One Blood, a new opera dramatising the lives of Elizabeth I and Mary, Queen of Scots – affairs of the family all round.
Fátima is an Argentine TV and radio journalist who has worked in Argentina, Brazil, the US and the UK. She graduated as a dance teacher and started to write about ballet and dance while developing her journalistic career covering politics and international relations. Fátima is an Emmy Award winner (Telemundo-NBC), is the winner of a scholarship by Argentina’s Fondo Nacional de las Artes and served as a jury member in numerous dance contests. She has written for Dancing times, BalletinDance, Danza Hoy En Español and continues to do so for La Nación newspaper (Argentina) and The Tablet (UK). She is a member of the UK Critics’ Circle and chairwoman of the Anglo-Argentine Society.
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