Sandmann, irrer Sandmann

By Miriam Zeh, 20 September 2016

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“Der Sandmann zieht den Zuschauer erbarmungslos mit hinein in den wirren Irrsinn des Protagonisten.”

Reviewed at Oper Frankfurt, Frankfurt am Main on 18 September 2016

Scartazzini, Der Sandmann

Oper Frankfurt

Hartmut Keil, Conductor

Christof Loy, Director

Barbara Pral, Set Designer

Ursula Renzenbrink, Costume Designer

Agneta Eichenholz, Clara

Hans-Jürgen Schöpflin, Coppelius

Thomas Piffka, Vater

Daniel Schmutzhard, Nathanael

Daniel Mirosław, Lothar

Stefan Bolliger, Lighting Designer

Thomas Wilhelm, Choreography

Yvonne Gebauer, Dramaturgy

Stephanie Schulze, Dramaturgy

Tilman Michael, Choirmaster / chorus director

Frankfurt Opera Chorus

Opera Frankfurt Orchestra

It's party time onstage: Carl Nielsen's Maskarade at Oper Frankfurt

Kevin W Ng, 20th November

Carl Nielsen's Maskarade makes a welcome rare appearance, with a great time had by everyone onstage and off.

***11

Christof Loy’s Lonely Hearts Club at Oper Frankfurt

Mark Pullinger, 26th March

This is no Liederabend with singers taking their turn to file up to the piano. It’s a fully staged drama in which baritone Vladislav Sulimsky’s character reflects on his past loves and losses.

*****

Indomitable: Billy Budd in Frankfurt

Matthew Rye, 25th May

Oper Frankfurt's revival of Richard Jones's production of Billy Budd with a homegrown cast is a devastating combination of powerful music and searing drama.

*****

Words or music? Collaboration or resistance? A new Capriccio in Frankfurt

John Johnston, 24th January

Camilla Nylund’s rich, ample voice bloomed in the glorious setting of the sonnet, cosseted by burnished horn playing, in Strauss' unsurpassed operatic farewell to the soprano voice.

****1

Iain Paterson's Dutchman drops anchor in Frankfurt

John Johnston, 20th May

Iain Paterson's house debut as the Holländer was sufficient reason to drop anchor in the Main for this revival of David Bösch's 2015 production.

***11

A dark and stunning new Rigoletto

Ako Imamura, 28th April

Oper Frankfurt's new production of Rigoletto focuses on the dark side of the tragedy with excellent singing from the two principals.

****1

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Miriam Zeh

Miriam studierte Musik, Germanistik und Philosophie in Köln, Paris und St. Louis. Jetzt promoviert sie am Forschungskolleg "Schreibszene Frankfurt" an der Goethe-Universität über Gegenwartsliteratur. Miriam schreibt für Print und Online über Musik, über Literatur und über ihr ungestümes Erleben von beidem.

Sandmann, irrer Sandmann: deutsche Erstaufführung in Frankfurt