The dance world is mourning the loss of Swedish dancer Matz Skoog, who has died at the age of 69, English National Ballet has confirmed.
Skoog was known for his long association with English National Ballet, where he spent 17 years, first as a principal dancer and later as Artistic Director.
Born in Stockholm in 1957, he trained both in Sweden and in Russia before beginning a distinguished international career. He joined what was then London Festival Ballet in 1979, quickly establishing himself as a standout performer in leading roles, including Albrecht in Giselle and James in La Sylphide. His stage presence and technical finesse drew praise from critics and audiences alike.
After performing with companies around the world and dancing works by some of the 20th century’s most acclaimed choreographers, Skoog turned to leadership. He was Artistic Director of the Royal New Zealand Ballet, where he helped revitalise the company, before returning to lead English National Ballet in 2001.
During his directorship, he broadened the company’s repertoire through commissioning contemporary works alongside the classics, such as introducing Sir Kenneth MacMillan’s The Sleeping Beauty, a production that remains in the company’s repertoire today.
His leadership earned nominations for the Theatre Management Awards and recognition from the Critics’ Circle, reflecting his impact on British ballet.
After stepping down from English National Ballet, Skoog remained active in the dance community as a teacher, coach and mentor, sharing his expertise with emerging dancers and serving on juries for prestigious competitions.
Aaron S. Watkin, Artistic Director of English National Ballet, said: “We are deeply saddened by the loss of Matz Skoog. His leadership was thoughtful and humane, always rooted in a deep respect for artists and for the art form itself. His artistry and commitment to the company left an enduring mark. He will be remembered with great respect and affection.”
Bachtrack's Dance Editor, Deborah Weiss, said: “Matz joined London Festival Ballet just a few months after me during the same season. He had exceptional ballon. He didn't just jump, Matz flew. He made everything look so easy. His landings, from great heights, were so soft that he melted seamlessly into the floor. What I will miss most about him is his kindness, his integrity, his gentle manner, his warmth and his humour. He was a giver, not a taker. We are all collectively heartbroken, and our thoughts are with his wife and family.”
