Russian mezzo-soprano Aigul Akhmetshina discusses the role of Carmen and reflects on the fantastic opportunities fate has thrown her way since joining The Royal Opera's young artist programme.
This is not Carmen, but then Wu Tsang's bizarre meta-work, originally commissioned by Schauspielhaus Zürich, is all about breaking ties with convention.
*1111
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.