“It is difficult in no common degree to write anew concerning The Messiah,”1 said the music writer Henry F Chorley in 1859. The piece was, of course, 117 years old at the time, and there has only been more written on this landmark composition since. Handel’s Messiah is not just a popular classic, after all: it’s also a hugely important work.
Destacaron las intervenciones de la soprano María Hinojosa que, excepcional en el elemento vocal, se mostró deslumbrante en su capacidad comunicativa con los oyentes, transmitiendo con una suerte de pasión eficientemente contenida las noticias del nacimiento del Mesías y, propiciando, entre otros detalles, un “Rejoice” memorable.
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