L’édito de mars : la colère monte

Place de la République à Paris, jeudi 4 mars

By Tristan Labouret, 05 March 2021

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“Tous les syndicats se sont mis au diapason pour attaquer la politique creuse du Ministère”

Danny Riley, 14th January

Lute player and guitarist Élodie Brzustowski talks about the challenges of the two-metre long theorbo, rediscovering guitar music of the 1830s, and the multifaceted Early music scene in France.

Israel Philharmonic protests at Philharmonie de Paris

Bachtrack, 7th November

The Philharmonie de Paris has responded, condemning the actions in the strongest terms, after audience members set off smoke bombs during Thursday's concert.

Eight remarkable concert halls in Paris

Julie Jozwiak, 26th June

In the shadow of the capital’s great institutions, we discover exceptional places where not everyone comes to listen to classical music.

Double basses now allowed on French trains, but only one at a time

Bachtrack, 17th February

Culture minister Rachida Dati announced together with state train operator SCNF that basses will now be allowed – but only a single bass per train.

Making music humanly: Gautier Capuçon

Charlotte Gardner, 7th February

Ahead of an appearance in Lugano in March, the busy French cellist talks about his relationships with Martha Argerich, his brother Renaud, and mentoring young musicians with the Fondation Gautier Capuçon.

All in the balance: Classical Music Statistics 2024

Bachtrack, 27th January

What changes did the classical music world see in 2024? Are existing trends continuing, or slowing? With more than 30,000 listings across 48 countries, Bachtrack offers a valuable snapshot into the classical music world.

Tristan Labouret

Musicologue diplômé du CNSMD de Paris, Tristan Labouret collabore avec de nombreux artistes et institutions musicales (Printemps des Arts de Monte-Carlo, Orchestre national d'Île-de-France, Opéra Orchestre National Montpellier, festivals de musique de chambre de Deauville, Just Classik Festival…), menant des activités de médiation à destination de tous les publics. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack.