L’édito de l’été : place au pass

By Tristan Labouret, 15 July 2021

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“Les organisateurs ont bien vu que le pass leur causait une double peine”

Kurt Gottschalk, 21st March

The violinist talks about her pandemic commissioning project as well the work she does that extends beyond performing concerts as Arco Collaborative’s artistic director and its primary performing artist.

Getting back to the theater, as safely as possible

Cameron Kelsall, 4th October

As a theater critic, I’m prioritizing coverage of events that require Covid vaccination for all.

We need mask mandates and a health pass. Now.

David Karlin, 28th September

The terror that keeps the performing arts awake at night is that audiences won’t return because they are not confident of attending an event without risking Covid-19 infection.

Dropping the mask: are we jeopardising the arts’ recovery?

Mark Pullinger, 24th September

New seasons are starting and classical music venues are throwing their doors open to the public. But are they also throwing caution to the wind?

The Siam Sinfonietta uses lockdown to film a homage to B horror movies

Laura Volpi, 9th July

We spoke to Thai-American composer and Siam Sinfonietta's founder Somtow Sucharitkul and Thailand-based British film director Paul Spurrier about this unique project born from lockdown restrictions.

“I’ve felt very lucky to be a composer”: Missy Mazzoli

Cameron Kelsall, 21st May

The composer-in-residence at Bergen International Festival has been more productive than ever during the pandemic. She tells us how.

Tristan Labouret

Musicologue diplômé du CNSMD de Paris, Tristan Labouret collabore avec de nombreux artistes et institutions musicales (Printemps des Arts de Monte-Carlo, Orchestre national d'Île-de-France, Opéra Orchestre National Montpellier, festivals de musique de chambre de Deauville, Just Classik Festival…), menant des activités de médiation à destination de tous les publics. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack.