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Performer: Angela Gheorghiu

Upcoming eventsSee more...

ZürichSong recital Angela Gheorghiu

Song recital  Angela Gheorghiu
Angela Gheorghiu; Jeff Cohen

LondonAngela Gheorghiu in recital

Pergolesi, Rameau, Bellini, Tosti, Brediceanu, Chopin
Angela Gheorghiu; Alexandra Dăriescu


Puccini: Tosca
Daniele Callegari; Johannes Schaaf; Dresden State Opera; Antonino Fogliani; Giampaolo Bisanti; Christof Cremer; Petra Reinhardt

BerlinLiedrecital Angela Gheorghiu

Pergolesi, Paisiello, Bellini, Massenet, Debussy, Tchaikowsky, Rachmaninov
Angela Gheorghiu; Alexandra Dăriescu


Puccini: Tosca
Eun Sun Kim; Alvis Hermanis; Staatsoper Berlin; Kristīne Jurjāne; Angela Gheorghiu; Vittorio Grigòlo
Latest reviewsSee more...

Gerald Finley stars in Adriana Lecouvreur

© Catherine Ashmore | ROH
Gerald Finley's velvet baritone lights up this revival of David McVicar's production of Cilea's murder story
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A traditional Tosca in Vienna

Angela Gheorghiu (Tosca) © Wiener Staatsoper | Michael Pöhn
Lavish sets and costumes, plus high musical quality, make Tosca at the Vienna State Opera a fine example of grand opera. 
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112 years in the making: Adriana Lecouvreur’s belated première in Vienna

It’s more than a little surprising that Francesco Cilea’s Adriana Lecouvreur is first gracing the stage of the Staatsoper in 2014, 112 years after its première.It is, therefore, disappointing that this co-production with Covent Garden is not more successful, despite its many excellent qualities.
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A classic production of Tosca at the Vienna Staatsoper well worth the ticket

OK, opera fans: anyone out there tired of being confronted with provocative modern interpretations of beloved operas? If so, this Tosca production is just what the doctor ordered.Set, costume and direction all work together in this classic 1958 production to create the impression of Puccini’s turn-of-the-century masterpiece as it was originally intended.
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Breezy virtuosity from the Royal Opera with Angela Gheorghiu in La Rondine

In La rondine’s climactic scene, when Magda explains to her young lover Ruggero why she believes she must leave him, Puccini sets their exchange to one of the most hackneyed of all musical formulas: the cycle of fifths.
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