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Performer: Anja Kampe

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BarcelonaPons and the Liceu Symphony

© Igor Kortadellas
Wagner, Ligeti
Orquesta Sinfónica del Gran Teatre del Liceu; Josep Pons; Anja Kampe

MunichFidelio

© Wilfried Hösl
Beethoven: Fidelio
Markus Stenz; Calixto Bieito; Bavarian State Opera; Rebecca Ringst; Ingo Krügler; Anja Kampe; Franz-Josef Selig

MunichParsifal

© Wilfried Hösl
Wagner: Parsifal
Franz Welser-Möst; Pierre Audi; Bavarian State Opera; Georg Baselitz; Florence von Gerkan; Sir Simon Keenlyside; Derek Welton

BerlinLa fanciulla del WestNew production

Puccini: La fanciulla del West
Sir Antonio Pappano; Lydia Steier; Staatsoper Berlin; David Zinn; Anja Kampe; Yusif Eyvazov

MunichDer fliegende Holländer

© Wilfried Hösl
Wagner: Der fliegende Holländer (The Flying Dutchman)
Asher Fisch; Peter Konwitschny; Bavarian State Opera; Johannes Leiacker; Sir Bryn Terfel; Anja Kampe
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François Girard's new Fliegende Holländer disappoints at The Met

Evgeny Nikitin (Holländer) © Ken Howard | Met Opera
François Girard’s production presents the moody, stormy atmosphere of Norwegian seascapes with stunning visuals, but offers few fresh ideas on the doomed love between the Dutchman and Senta.
***11
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Fidelio in Zurich: singing fine, but staging, “Nein!”

Anja Kampe (Leonore) and Andreas Schager (Florestan) © Herwig Prammer

In its revival here in Zurich, the soloists and choir of Beethoven's Fidelio give stellar vocal performances. But having done away with any real set, the opera was not without its shortcomings.

**111
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Thielemann returns to the Berlin Phil with a Richard Strauss programme

Christian Thielemann and Anja Kampe with the Berlin Philharmonic © Stephan Rabold
Two rarely performed works and an evergreen show off the prowess of this first class orchestra.
****1
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Michael Volle excels in a Walküre to remember in Berlin

Die Walküre © Monika Rittershaus (2011)
The Staatsoper Berlin celebrate the arrival of Michael Volle, a splendid Wotan, aided by a strong ensemble of singers and Daniel Barenboim's leadership.
*****
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Brilliance and excitement in Salonen’s Webern, Mahler and Wagner

Esa-Pekka Salonen © Benjamin Suomela
In a fin de siècle programme, Salonen and the Philharmonia demonstrated visceral excitement, and found ways to reinvent. 
****1
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