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Performer: Anna Prohaska

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BerlinIl Giardino Armonico, Giovanni Antonini

Handel, Purcell, Graupner, Sartorio, Locke, Castello, Cavalli
Il giardino armonico; Giovanni Antonini; Anna Prohaska

BerlinMitridate, re di PontoNew production

Mozart: Mitridate, re di Ponto, K87 (K74a)
Marc Minkowski; Satoshi Miyagi; Staatsoper Berlin; Junpei Kiz; Kayo Takahashi Deschene; Pene Pati; Julie Fuchs

BrusselsIl Giardino Armonico and Anna Prohaska: Serpent and Fire

Cavalli, Handel, Purcell, Hasse, Graupner, Sartorio
Il giardino armonico; Giovanni Antonini; Anna Prohaska

HamburgNDR Elbphilharmonie Orchester, Alan Gilbert

Elgar, Mahler
NDR Elbphilharmonie Orchester; Alan Gilbert; Anna Prohaska; Gautier Capuçon

MunichDer FreischützNew production

Der Freischütz
Weber: Der Freischütz
Antonello Manacorda; Dmitri Tcherniakov; Bavarian State Opera; Elena Zaitseva; Gleb Filshtinsky; Golda Schultz; Anna Prohaska
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Budapest Festival Orchestra plays away in Ravenna

Iván Fischer © Zani-Casadio
After its Covid-19 “Quarantine soirées”, the Budapest Festival Orchestra celebrates the end of lockdown by taking on a two-concert international tour!
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Stag do: David Bösch's loveless Lustige Weiber at the Staatsoper

René Pape (Sir John Falstaff) © Monika Rittershaus
Barenboim conducts Otto Nicolai's Falstaff opera with a warmth and affection that is sorely lacking on stage. 
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Apollo e Dafne at the Handel Festival in Halle

Anna Prohaska, Vittorio Ghielmi and Fulvio Bettini with Il Suonar Parlante © Stiftung Händel-Haus
A performance of Handel's short masterpiece Apollo e Dafne at the Halle Handel Festival was somewhat disappointing but Fulvio Bettini impressed in the bass role.
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Violetter Schnee: Snowy apocalypse at the Staatsoper Berlin

Violetter Schnee © Monika Rittershaus

The world is sinking in "Violet Snow", as the opera by Beat Furrer, directed by Claus Guth, is given its world premiere at the Staatsoper unter den Linden. 

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Too many mirrors spoil the Staatsoper's Hippolyte et Aricie

Reinoud Van Mechelen (Hippolyte), Anna Prohaska (Aricie), Staatsopernchor © Karl and Monika Forster
Excellent musical performances are confounded by clumsy, unimaginative staging in Rameau's explosive first opera.
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