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A poet of the keyboard: Arcadi Volodos and the measure of an artist
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From Schubert and Schumann to Liszt, Arcadi Volodos makes a triumphant return to London's Barbican.
Technical excellence but muted expressivity: Arcadi Volodos
Armed with extraordinary precision, the Russian pianist brings as much elegance to his compatriots Rachmaninov and Scriabin as he does to Schubert.
Volodos takes his listeners to the edge of the abyss
Arcadi Volodos displays consummate artistry in Schubert's last piano sonata and two other keyboard pieces by Brahms.
Full-bodied Brahms and Schubert from Arcadi Volodos
Arcadi Volodos is a big man, and when he sits down to the piano, he produces a big sound. The extraordinary richness of timbre was obvious from the first notes of Brahms' 6 Klavierstücke, Op.118.
Passion, individuality and extremes: Arcadi Volodos in recital
Russian pianist Arcadi Volodos held the audience's attention with live performance at its best, at times eccentric, yet totally captivating and always uplifting.
Revelatory Brahms: The Gewandhaus Orchestra at the Barbican
For anyone lucky enough to have witnessed the last Barbican residency from Riccardo Chailly and the Leipzig Gewandhaus Orchestra, the striking, thoughtful and vivid accounts of Brahms they gave here should not be a surprise. In Brahms’ Piano Concerto no. 2, however, orchestra outdid soloist.
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Aristocracy of the heart: René Martin on the Festival de la Grange de Meslay
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The celebrated builder of festivals tells us about his personal history with Sviatoslav Richter, whose reins he has taken on at La Grange de Meslay.



