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Hidden tears season the comedy in Santa Fe's enchanting Elixir

In this revival of Stephen Lawless' busy production, set in 1945 Italy, young American tenor Jonah Hoskins' endearing performance tilts Donizetti's charmer in a Nemorino-centric direction.
Seattle Opera's L’elisir d’amore is a mostly lighthearted romp

Stephen Lawless' production of Donizetti’s whimsical comedy begins well and improves as it goes, with sparkling performances from an international cast.
Theater an der Wien premieres Christian Jost's Egmont
Keith Warner directs a new opera which packs in betrayal, murder, oppression, freedom, love and the Spanish Inquisition into a mere 90 minutes.
Vanessa at Glyndebourne: repression in a cold climate
Brilliant staging, superb acting, a magnetic performance from Virginie Verrez and an excellent orchestral performance make a strong case for Samuel Barber's all-but-forgotten chiller.
An uncomplicated, thrilling Tosca from WNO
Carlo Rizzi conducts WNO's Tosca revival in Cardiff.
All that glitters: WNO stages The Merchant of Venice
André Tchaikowsky's version of The Merchant of Venice combines his love of Shakespeare with his recollections of a harsh childhood as a Jew in the Warsaw Ghetto.
