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Performer: Ashley Page

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New York CityLondon City Ballet – Program A

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Liszt, Copland, Schubert
Ashley Page; Jerome Robbins; John Neumeier; Tasha Chu; London City Ballet; Alina Cojocaru

New York CityLondon City Ballet – Program B

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Liszt, Beethoven, Stravinsky
Ashley Page; Florent Melac; Mikhail Fokine; John Neumeier; London City Ballet

PrincetonFirebird & Mixed Repertory – London City Ballet

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Liszt, Robinson, Copland, Stravinsky
Ashley Page; Tasha Chu; Jerome Robbins; Glen Tetley; London City Ballet
Latest reviewsSee more...

London City Ballet at the Linbury: joy and sorrow at its best

Joseph Taylor in Alexei Ratmansky's Pictures at an Exhibition © Photography by ASH
London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.
*****
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Drawing from tradition but not in thrall to it: London City Ballet

Miranda Silveira and Álvaro Madrigal in Ashley Page's Larina Waltz © Photography by ASH
While most in the audience at New York's Joyce Theater might not have known the original London City Ballet, their affection was palpable at the close of this program. 
****1
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London City Ballet in Resurgence: back on stage, on brilliant form

Miranda Silveira and Álvaro Madrigal in Ashley Page's Larina Waltz © Photography by ASH
London City Ballet return in a new incarnation at Sadler's Wells, promising a great future.
****1
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Romaniw thrills in Scottish Opera’s epic Eugene Onegin

Director Oliver Mears turns Scottish Opera’s Eugene Onegin into a memory play, with fine singing from a strong cast starring Natalya Romaniw as a thrilling Tatyana.  
****1
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Scottish Opera's Orfeo ed Euridice a wild visual feast

Scottish Opera's imaginative Orfeo ed Euridice is a well sung wild visial feast with added dancing thrown into the mix by Ashley Page. 
****1
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San Francisco Ballet at Sadler's Wells: A second night just as good as the first

From the moment the curtain went up, there was no doubt that San Francisco Ballet had another evening of fabulous ballet in store for the audience at Sadler’s Wells, many of whom had been there the night before for Programme A.
****1
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