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Tiler Peck’s Symphonie Espagnole for NYCB is sprawling and ambitious
A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.
The Australian Ballet in Melbourne: three prismatic worlds
In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.
NYCB's Contemporary Choreography marred by middle pieces
Although Glass Pieces and Pictures at an Exhibition are on the surface very different ballets, they both draw us into their world. I wish NYCB had been able to find more compelling middle ballets.
Ratmansky’s Solitude illuminates wartime tragedy
Alexei Ratmansky’s poignant and gripping new work breaks ground at New York City Ballet in a powerful triple bill.
New York City Ballet Goes Four for Four
One minor Balanchine, elevated by commanding performances; a rare Albert Evans; Peter Martins at his most compelling and Jerome Robbins at his funniest.