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Performer: Ben Bliss

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ChicagoDon Giovanni

Mozart: Don Giovanni
James Gaffigan; Robert Falls; Lyric Opera of Chicago; Walt Spangler; Ana Kuzmanic; Ildar Abdrazakov; Matthew Rose

New York CityCosì fan tutte

Mozart: Così fan tutte
Harry Bicket; Phelim McDermott; Metropolitan Opera; Tom Pye; Laura Hopkins; Nicole Car; Jennifer Check

AtlantaBeethoven at 250: Missa solemnis

Beethoven: Mass in D Major "Missa solemnis”, Op.123
Atlanta Symphony Orchestra; Robert Spano; Susanna Phillips; Sasha Cooke; Ben Bliss; Matthew Rose

New York CityAtlanta Symphony Orchestra

Beethoven: Mass in D Major "Missa solemnis”, Op.123
Atlanta Symphony Orchestra; Robert Spano; Susanna Phillips; Sasha Cooke; Ben Bliss; Matthew Rose

ChicagoCarmina burana

Saint-Saëns, Roussel, Orff
Chicago Symphony Orchestra; Alain Altinoglu; Elena Sancho Pereg; Ben Bliss; Elliot Madore; Chicago Symphony Chorus
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Tinseltown Mozart in Kansas City

Kathryn Lewek (Konstanze) and Matthew J. Williamson (Pasha Selim) © Karli Cadel for Lyric Opera of Kansas City
Alison Moritz's alluring production of The Abduction from the Seraglio for Lyric Opera of Kansas City
*****
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Outstanding singing in COC’s Così fan tutte

Così fan tutte © Michael Cooper
Despite an abundance of incongruous symbols, this Toronto performance was remarkable for its outstanding singing.
****1
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Little regard for Mozart and da Ponte in Met's Così

Serena Malfi (Dorabella) and Adam Plachetka (Guglielmo) © Marty Sohl | Metropolitan Opera
Phelim McDermott’s new Met production is set in Brooklyn’s Coney Island in the late 1950s and is brilliantly vivid looking, but Mozart's music plays second fiddle. 
***11
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Spano Conducts a Concert Version Otello in Atlanta

Mary Elizabeth Williams (Desdemona) and Russell Thomas (Otello) © Jeff Roffman
With Verdi's Otello, Music Director Robert Spano continues a recent Atlanta Symphony Orchestra tradition of presenting grand operatic works in a concert hall version
***11
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Magicking Flutes – and pink elephants

Rachel Sterrenberg (Pamina) © Kelly & Massa Photography
Mozart meets the movies as 1927's wacky production comes to Opera Philadelphia. 
****1
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