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Performer: Benedetta Torre

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GenevaLes Noces de Figaro (The Marriage of Figaro)New production

© GTG / Ronald Curchod
Mozart: Le nozze di Figaro (The Marriage of Figaro)
Marta Gardolińska; Jetske Mijnssen; Grand Théâtre de Genève; Étienne Pluss; Gideon Davey; Fabrice Kebour; Orchestre de la Suisse Romande

RomeLe nozze di Figaro

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Mozart: Le nozze di Figaro (The Marriage of Figaro)
Emmanuel Tjeknavorian; Claus Guth; Teatro dell'Opera di Roma; Christian Schmidt; Olaf Winter; Orchestra del Teatro dell'Opera di Roma
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Mozart's Il re pastore enchants Rome

Miriam Albano (Aminta) and Francesca Pia Vitale (Elisa) © Fabrizio Sansoni | Teatro dell’Opera di Roma
Cecilia Ligorio directs the first new production of Mozart's early opera at the Opera di Roma since 1988. 
****1
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Giorgio Strehler’s Nozze di Figaro still going strong at La Scala

Ildebrando D'Arcangelo (Almaviva) and Benedetta Torre (Susanna) © Brescia & Amisano | Teatro alla Scala
A good, mostly Italian cast brings alive one of the most famous productions by the great director Giorgio Strehler, under the baton of Andrés Orozco-Estrada.
***11
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Maggio Musicale Fiorentino's Don Giovanni falls at the final hurdle

Luca Micheletti (Don Giovanni) © Michele Monasta | Maggio Musicale Fiorentino
The Maggio postpones Pountney’s expected new production of Don Giovanni, presenting Ferrara’s production from Spoleto instead, with a good cast in the hands of Zubin Mehta.
**111
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Florence's finest: Teatro del Maggio's compelling new Don Carlo

Francesco Meli (Don Carlo) © Michele Monasta | Maggio Musicale Fiorentina
Five highly dissatisfied lead characters find only disastrous or ambiguous outcomes. Yet there are few greater operas than this.
*****
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Tower block bohemians in Emma Dante's new staging at San Carlo

Despite the setting in a condo, Dante’s staging is basically traditional, to the point of even respecting the original story's 1830s fashions.
***11
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Science goes screwball in Maggio Musicale's new Così fan tutte

Sven-Eric Bechtolf's staging holds a balance between philosophy and humour, but Adam Fischer's vivacious conducting is the real star of the evening.
****1
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