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Performer: Benjamin Beilman

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TokyoEncounter with Stradivari 2020

© Suntory Hall
Waxman, Vieuxtemps, Saint-Saëns, Ravel, Elgar, Sarasate, Ysaÿe
Tokyo Symphony Orchestra; Kazuki Yamada; Goldmund Quartett; Veronika Eberle; Suyoen Kim; Benjamin Beilman

LondonSunday Matinees: Rachmaninov - Symphony No. 2

© Sim Canetty-Clarke
Lyadov, Glazunov, Rachmaninov
Philharmonia Orchestra; John Wilson; Benjamin Beilman

LinzTzigane & Staatskapelle Weimar

Grieg, Brahms, Tchaikovsky
Staatskapelle Weimar; Eugene Tzigane; Benjamin Beilman; Narek Hakhnazaryan
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Good-natured competition at Montana's Tippet Rise

Benjamin Beilman and Jennifer Frautschi © Erik Petersen, courtesy of Tippet Rise Art Center
The midday concert was held a barn designed by the same team who engineered London's Wigmore Hall, and acoustics are as warm and carefully attuned as its modest, appealing interior.
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Bach, Berio and Dvořák in the mountains of Montana

Benjamin Beilman, Pedja Muzijevic, Sæunn Thorsteinsdóttir, Ayane Kozasa © Erik Petersen, courtesy of Tippet Rise Art Center
Profound musical expression shrinks against the majesty of the setting, but ends up all the more profound, in the summer chamber music series.
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Skrowaczewski's greatness in Bruckner revealed by the LPO

Benjamin Beilman's radiant Mendelssohn preceded Skrowaczewski and the LPO making a magnificent case for Bruckner's third version of his Symphony no. 3 in D minor at the Souhthbank Centre, London.
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Chamber Music Society of Lincoln Center musicians perform Bliss, Szymanowski, and Suk

On Thursday evening, the Chamber Music Society of Lincoln Center presented its inaugural concert of the 2013-2014 Late Night Rose series. On the stage of Lincoln Center’s Daniel and Joanna S. Rose Studio, performers put on a delightfully curated show, featuring the works of three lesser-known Western composers: Arthur Bliss, Karol Szymanowski, and Josef Suk.
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Inspirational performances of Mendelssohn, Dohnányi and Franck at the Musica Viva Festival

At one point in Proust’s In Search of Lost Time, the narrator is listening to a sonata for piano and violin by the fictional Vinteuil, when “at a certain moment, without being able to distinguish any clear outline, or to give a name to what was pleasing him, suddenly enraptured, he tried to grasp the phrase or harmony – he did not know which – that had just been played and that had opened and expa
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