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AmsterdamBy Her Absence – A Portrait of Marianna Martines
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Martines, Haydn, Moore
Orchestra of the Eighteenth Century; Benjamin Perry Wenzelberg; Peter Leung; Elisabeth Hetherington
The HagueDebussy - Impressions de Pelléas
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Debussy: Impressions de Pelléas
Benjamin Perry Wenzelberg; Joe Hill-Gibbins; Singers from the Dutch National Opera Studio
EnschedeImpressions de PelléasNew production
Debussy: Pelléas et Mélisande
Benjamin Perry Wenzelberg; Joe Hill-Gibbins; De Nederlandse Reisopera; Singers from the Dutch National Opera Studio
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New York City Opera's Turn of the Screw says too much
Benjamin Britten’s 1954 opera The Turn of the Screw is a sensible choice for the New York City Opera: its chamber orchestration and emotional intimacy make it unsuitable for production by the Met Opera (against which every other company in town must define itself), and its claustrophobia would seem to offer a great opportunity for one of the company’s more innovative directors to create something