Performer: Benjamin Russell

Netia Jones’ modern reimagining intrigues more than it convinces, but still makes a strong case for Dvořák’s dark fairy tale. 

An eclectic mix of lesser known works by Fauré are followed by Bizet's Symphony in C major the glories of Fauré's Requiem. 

Polly Graham's take on Mozart's Così fan tutte is full of humour and political commentary, while the singing is a joy to hear. 

The Holland Festival boasts quite an impressive relationship with Britten and his works. Tonight’s chamber opera, The Rape of Lucretia was first performed at the festival in 1947 with Britten, Peter Pears and Kathleen Ferrier (for whom the opera was written) and the English Opera Group. Tonight’s performance with Oliver Knussen at the helm is another proud continuation of this tradition.

Das Hessische Staatstheater Wiesbaden feiert die Wiederaufnahme seiner Meistersinger mit einer Inszenierung, die aktueller denn je ist und auch unangenehme Fragen aufwirft.

Das Sommerkonzert im Amsterdamer Concertgebouw war ein vollendetes Chor-Festmahl für die Ohren.