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Performer: Boris Eifman Ballet

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From rags to riches through feathers and glitters

The myth of Pygmalion and Galatea brings us back to the very start of the ballet tradition with Jean-Philippe Rameau’s one act opera-ballet of 1748.
*****
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Eifman Ballet in a strangely psychological Pygmalion Effect

Eifman has said he wants move dance back into theater and to use movement to explore the psychological. Both of these the company accomplishes.
***11
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Giselle at the time of Communism: Boris Eifman’s Red Giselle

Opening this short Saison Russe in Berlin is Boris Eifman’s most iconic ballet, Red Giselle, a skilful tribute of the choreographer to the great Russian ballerina Olga Spessivtseva.
****1
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