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Performer: Burkhard Fritz

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ChicagoSiegfried

Wagner: Siegfried
Sir Andrew Davis; David Pountney; Lyric Opera of Chicago; Johan Engels; Marie-Jeanne Lecca; Burkhard Fritz; Matthias Klink

ChicagoGötterdämmerung

Wagner: Götterdämmerung
Sir Andrew Davis; David Pountney; Lyric Opera of Chicago; Johan Engels; Marie-Jeanne Lecca; Burkhard Fritz; Christine Goerke

ViennaMahler 8

Mahler: Symphony no. 8 in E flat major "Symphony of a Thousand"
Vienna Symphony Orchestra; Johannes Prinz; Camilla Nylund; Iréne Theorin; Martina Janková; Dame Sarah Connolly

EdinburghGötterdämmerung

Wagner: Götterdämmerung
Sir Andrew Davis; Christine Goerke; Burkhard Fritz; Josef Wagner; Amber Wagner

DresdenLes Contes d'Hoffmann

Offenbach: Les Contes d'Hoffmann (The Tales of Hoffmann)
John Fiore; Johannes Erath; Dresden State Opera; Heike Scheele; Gesine Völlm; Burkhard Fritz; Julia Muzychenko
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A compelling Parsifal from Victorian Opera in Melbourne

Burkhard Fritz (Parsifal) and Peter Rose (Gurnemanz) © Jeff Busby

The Australian Youth Orchestra was full of poise and maturity and all the singing was impressive in Roger Hodgman's production.

*****
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Spectacular Gurrelieder revived at Dutch National Opera

Burkhard Fritz (Waldemar) © DNO 2018
An exemplary cast, an opulent orchestra and unforgettable images in Arnold Schoenberg’s Gurrelieder.
****1
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Nostalgia and neurosis as Die tote Stadt returns to the Semperoper after nearly a century

Christoph Pohl (Frank/Fritz) and Manuela Uhl (Marietta) © David Baltzer
In a score that can be a Technicolor wallow, Jurowski’s sure sense of dramatic pulse and balance, encompassed the brash dance rhythms, religious grandeur, vivid tone painting and the extremes of dissonance.
*****
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A revelatory Frau ohne Schatten in Munich

Elena Pankratova (Barak the Dyer's Wife) © Wilfried Hösl
A musical performance of stunning quality underpins this revival of Krzysztof Warlikowski's lavish, ambiguous Strauss staging.
****1
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Claus Guth's Frau ohne Schatten in Berlin

Sarah Grether (Gazelle) and Camilla Nylund (Empress) © Hans Jörg Michel
Zubin Mehta's conducting is a disappointment, but Guth's remarkable production makes powerful sense of Strauss and Hofmannsthal's rich fairy tale. 
****1
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